The Shady Virus wrote:PAINKILLƎR wrote:Sorry but having a rock influence to records doesn't make it commercial moron. Yelawolf is doing the exact opposite of trying to be commercial and stay true to his art by not compromising his work to please a specific audience.
No need for name calling. Commercial = Radioactive, Rock = DJ Paul project and Travis Barker Project. I agree, the rock stuff is completely the opposite of commercial, and I don't recall ever saying it was aimed towards commercial appeal.
Look, all I am saying is I got my hopes up for Radioactive and was let down (Same complaint as Slaughterhouse). Why would I get my hopes up for his next one? I don't see what the big deal is with that logic. How can any of you be sure that there isn't going to be more commercial bullshit on his new album?
lol god that logic is absolutely ridiculous, you got to be mentally challenged to think that way.
Anyway Yelawolf isn't aiming to get mainstream appeal, he doesn't want to make radio hits anymore, he doesn't want to compromise his art. If you even payed any attention to the lyrics on Rhyme Room you'd have a better sense on his feelings when it comes to to Radioactive and his approach on his future work;
"So radioactive, had a couple of radio attempts
But I don't wanna be radioactive anymore now
Than I wanna jump off a cliff
This I promise..."
Not only that but Yelawolf has requested to have full artistic control of this album and he got it so that means the label won't be overlooking this album and they won't push him to do something he doesn't want to do. Which is a great sign.
Also Willpower will handle most of the production so it'll be very cohesive and have a bit of the trunk muzik feel. On Radioactive there was a lot of different producers and that wasn't such a good idea.
Yelawolf has been thinking and working on this for a very long time and it means a lot to him. This is why all the hype is behind this project.