Sorry its a bit long, but its interesting.
Every successful rapper has a special characteristic that makes his flow unique. Lloyd Banks has the punch lines, Young Buck has the Southern swagger and Eminem has the exceptional storytelling ability. Tony Yayo, the latest addition to the G-Unit family, has no unique characteristics.
Yayo's debut album, "Thoughts of a Predicate Felon," is a lyrical embarrassment to the Shady/Aftermath label. Banks, Buck, 50 Cent and the rest of the artists featured on eight of Yayo's seventeen uninspiring tracks outshine the rapper on his own album.
"Homicide" and "It is What it is," the opening tracks on the album, represent Yayo's first attempt at thug appeal. The tracks have decent beats and drum programming, but Yayo's loud and raspy flow, which is probably better described as yelling in rhyme, makes him sound like he has a sore throat. Yayo's irritating voice and monotonous hooks compromise the gangster appeal he had been looking for.
Yayo disappoints again on "Tattle Teller," which features a beat similar to that of The Game's "Hate It or Love It." On "So Seductive," featuring 50, Yayo's corny rhymes and lack of imaginative lyrics ruin an otherwise tolerable song.
On "Eastside Westside" Yayo speaks in monotone through most of his verses, including the hook. Yayo adds this song to a long list of simply boring tracks, and makes his music almost insufferable with lines like "I ride through your hood and I shine like Jesus."
"Drama Setter," featuring Eminem and Obie Trice, two of the more established members of the Shady/Aftermath group, is one of the best-produced tracks on the album. Yayo, however, drowns out the spectacular beat with his gruff yelling, rapping. The best part of the track is Trice's verse, which is refreshingly understandable and clean, something rare on the album.
The best track on the album, "We Don't Give A F**k," features fellow G-Unit members Banks, Olivia and 50. Olivia provides the first R&B vibe on the album, and is a good complement to Yayo's unpolished raps. Banks delivers the best single verse on the album, rapping "Don't go tongue-lashing with Lloyd/ I'll put stabs in ya boy like Brad Pitt in Troy." The track provides a good set of strong lyrics that remind listeners of G-Unit's glory days.
The next track, "Pimpin," again exposes Yayo's weak rhymes and unfunny punch lines. Yayo's cries of, "Here we go now!" and "What!", a la Lil Jon, drown out another nicely produced beat.
"Curious," featuring Joe, and "Project Princess," featuring Jagged Edge, add an R&B sound to the later stages of the album, but neither is outstanding and both sound eerily similar. "I'm So High" is the typical commercial track found on most G-Unit albums about smoking marijuana, which turns out to be one of Yayo's best performances and a surprisingly hot track. An oldies sample and a piano-heavy beat also add diversity to the track.
One of the most intriguing songs on the album, "I Know You Don't Love Me," featuring G-Unit, samples a Hawaiian-type beat. 50 provides another hook, and the song is one of the best on the album, but Yayo's lone verse is confusing
