Relapse, for sure, a fan favorite, a cult-classic and horrorcore rap's most successful entry into the mainstream, despite being the least successful of all his albums.
Myself, I vacillate on this album. The lyrics at some points make me laugh and at others make me cringe. The tone and sound of this album initially revolted me, but then I remember a period of my life where I listened to nothing but this album for a month straight.
It's in many regards a brilliant album, but yet a deeply flawed one as well. The flow and lyricism are peerless, yet often times there are songs that make a lot of multis just by stringing random words together. Yet the production is solid and the tone, while not always agreeable, is always honest.
I'll give you the track-by-track.
3 A.M. - 4.5/5
Of all the horrorcore tracks on this album, I feel this one is the most successful at fluid lyrics that come together with good imagery and storytelling. It was one of his least successful hits, but undoubtably his best choice to pick to introduce the mainstream to his album.
My Mom - 4/5
I'm really mixed on this track. I enjoy both the lyrics and the flow, but the heavily accented delivery, if you aren't in the mood, is really headache-inducing. But yet, the song is funny for it's playful exaggeration of a real issue.
Insane - 3.5/5
I like the theme on this album of taking concepts and having two interpretations of it. My Mom was the light-hearted joke and Insane was the dark twisted version of it. The instrumental is sure fitting. The first verse of the song was funny, provocative, and made for great horror storytelling. It was one of the best verses on the album. But the 2nd and 3rd verse just rambled on and lost focus, and that's where have to deduct points.
Bagpipes From Baghdad - 5/5
While I thought the accents and random multi's hurt the album, I'm not against them when they are done well. And there's nothing wrong with having a track or two of filler, if it's listenable. I think this song is one of the greatest on the album, of all the tracks of this nature
Hello - 4.5/5
Easy to overlook because of the understated nature of the song, but one of the best of the album. He is introspective and honest, but not preachy at the slightest. He is able to describe the difficult life he has been living while still keeping the song fun and full of humor. This certainly goes back to the brilliance of the MMLP days where half of what he said was true and half of what he said wasn't.
Same Song & Dance - 4/5
I approve of the storytelling here and I like his outdated choices of celebrities to stalk and kidnap, but there's no doubt Em is way too soft-spoken on this track and he should have assumed a more arrogant domineering presence.
We Made You - 3/5
For sure, his least successful single. It relied on the accents to give him flavor rather than his concepts which are bit dated. But if you're not expecting a great song, in this you'll find a really entertaining one.
Medicine Ball - 4.5/5
I thought the chorus was decent, the production was one of the strongest points of the album, and the verses are expertly designed. I'll be honest and say that the Christopher Reeves part didn't leave me dying in laughter. Again, I can forgive filler if it's well done as it is done here.
Stay Wide Awake 4.5/5
Again, I thought the hook should have been redone, but the verses are near flawless. The placing on the track list is perfect. The previous track shows Slim Shady's light side of poking fun at dark subjects, and the dark side of him actually depicts him doing those things.
Old Time's Sake - 2/5
Perhaps the most forgettable track of the album. It's not question that when Em and Dre are together they make history, yet this song feels like a retread of past glory rather than anything new, and while Dre's parts of nothing special, Em's parts are even more unnecessary.
Must Be The Ganja - 2.5/5
I enjoyed the instrumental and 2nd verse, but verse 1, verse 3 and the chorus were forgettable. All in all, the song didn't tell a story, rarely was funny, was full of filler and despite his drug-saddled persona it just seemed to be "another weed song" in the end.
Deja Vu - 5/5
One of the best songs in his entire discography, as it tells his problems honest without pretense or conscious about image. Great hook, and the accents are toned down compared to the rest of the album. This song contains the same flow as the other songs except the lyrics actually mean something. This is the same kind of storytelling that made Em popular in the first place
Beautiful - 5/5
I prefer this song over Not Afraid because it's more honest and authentic. It does come from a place of humility and desperation which makes it more inspiring than preachy. And all the while, the song is both lyrical and listenable, and is uplifting rather than sullen as the mood alone of it suggests.
Crack A Bottle 3.5/5
No doubt a catchy listenable club-banger which was added to help sell the album, but when Em, 50 and Dre convene, you usually expect something bigger, but nonetheless it is very good. Dre's ghost verse was well delivered, 50 gives you everything expect (despite biting a line from Vanilla Ice) and Em's verse is the worst of the three.
Underground - 3/5
The main appeal of this song was that he wasn't rhyming in an accent, and that point aside the track isn't very memorable. It's a bunch of random words strung together to make multi's. The good point is that he avoids conventional rhyme patterns by not always rhyming the last word of each sentence, which is very creative.
This album is surely more than the sum of it's parts though. If you're in the mood for this album, you will absolutely love it like nothing else, but if you view it objectively, it has a large undeniable share of shortcomings.